The Infrared Journey — Somewhere in Between
Temple of Eternity
A closer look at the work
A large dome rises through haze above a low band of golden trees. In front lies a broad turquoise expanse of water, with boats at several distances. The largest boat runs across the composition and carries a dense sequence of small figures. The architecture remains pale while people on the water form dark accents.
The work text identifies the building as the Temple of the Vedic Planetarium in Mayapur. The photograph places its monumental scale beside smaller movements in the foreground. Water and vegetation separate the two levels, yet one view embraces both. A lasting architectural reference point meets the temporary positions of boats and travellers.
Personal consultation
The work, the space, the presentation.
What interests you about this work? I take time for your questions, its origins and its place in a collection. Together, we explore differences between works and their relationship with space, light and architecture.
Size, selected materials and bespoke framing are carefully coordinated. The precise presentation develops through our conversation.
A photograph of the intended space can help us consider scale and placement.
The work in a space
Scale and spatial presence
Visualization · Spatial design proposal. The original photograph is inserted unchanged. All sizes share the same room, viewpoint and scale. Presentation and framing are discussed individually.
Artwork and edition.
| Size · height × width | Edition number / edition size + AP |
|---|---|
| 40 × 60 cm | Edition 7 + 2 AP |
| 82 × 124 cm | Edition 5 + 2 AP |
| 111 × 167 cm | Edition 3 + 2 AP |
Digital edition
The work on the blockchain.
Ethereum · ERC-1155 · Token 61
The digital edition and physical photograph are separate collectibles. Please check the linked record for edition details, availability and listings.
View digital edition on OpenSea ↗Discuss the work
A personal conversation offers time to consider the work, its context and its place in a collection.