The Weight of Light — André Wagner
118 WORKSTHE WEIGHT OF LIGHT

ANDRÉ WAGNER · PHOTOGRAPHIC ARTIST

Photography beyond
the visible
spectrum.

The Infrared Journey — Somewhere in BetweenANDRÉ WAGNER
Enter the exhibition ↗
BERLIN / POTSDAM
52°24′ N · 13°04′ E

My works bring calm and intensity together.
They give spaces an energy of their own.

DISCOVER ↓

Time, light
and inner depth.

I work with time, light and a depth that extends beyond the visible. Spirituality and philosophy shape my exploration of perception and presence.

My works slow the gaze. They bring calm together with intensity, giving spaces a grounding presence and an energy of their own. This creates a presence that people can live with over time.

The thinking behind the images ↗

Independent bodies of work

More than two decades of continuous artistic practice.

In museums and collections

Represented in public institutions and international private collections.

Explore collections ↗

Strictly limited editions

Hand-signed, certified and available in small editions.

Collect photographic art ↗

Somewhere
in Between.

PERSONAL CONSULTATION · BESPOKE PRESENTATION

Time for the work.
And for conversation.

Choosing a work you want to return to. There is time here to look, compare and ask your own questions. In conversation, we explore the artistic context and the work’s presence in its intended setting.

Arrange a personal conversation ↗

Understanding the work

Our conversation explores how a work came about, its visual language and its place within my practice. Questions and returning to an image are part of that process.

Considering the space

Light, proportions, architecture and the existing collection inform the selection. We consider how the presence of a work changes with its size and placement.

Refining the presentation

Material and framing are part of the artistic effect. Bespoke frames and carefully selected materials are considered in relation to the work and its surroundings. We discuss the precise presentation personally.

Three ways of seeing light.

Infrared, night and long exposure form distinct worlds of colour in my work.

André Wagner working with his camera and tripod
ANDRÉ WAGNER

ARTISTIC APPROACH

Colour is not a surface.
It is a force.

I am interested in light and colour as a language of their own. Night and the infrared spectrum each have their own balance and tension.

My photographs invite you to move beyond familiar ways of seeing and experience the world more consciously.

Read the artist statement ↗
For more than two decades, I have created my work on journeys, in landscapes and in places of transition.

Some series accompany me for many years. Not because I want to document a place, but because its meaning changes over time.

André Wagner in front of his Zauberwald installation in Zurich
“Zauberwald”, Zurich · Art in architecture for Mobimo AG

ART IN ARCHITECTURE

When photography becomes
part of architecture.

For the Zurich project “Zauberwald”, photography was not added afterwards as decoration. Its format, materiality and spatial presence were developed in dialogue with architecture, light and movement.

The red forest creates a tension with the exposed concrete architecture, opening another space of perception within the building.

For site-specific projects, I develop the subject, format and material in dialogue with architecture, light and movement. A work should do more than hang in a space: it should change how that space is perceived.

THEMES AND PERSPECTIVES

Light, time and perception.

What does a camera see that the human eye cannot?

Infrared photography does more than make the invisible visible. It questions whether our familiar perception reveals reality, or only a small part of it.

How can time be photographed?

Long exposure does not stop time; it condenses it. Movement, light and transience leave traces that remain hidden in a single instant.

What changes when photographs are made in sacred places?

André Wagner has worked in India and in spiritually significant places for many years. His photographs do not document a religion. They explore how experience, memory and atmosphere shape an image.

When does an artwork become part of architecture?

In architectural art projects, subject, format and material emerge in dialogue with the space. Photography changes perception, light and movement within the architecture.

Can blockchain strengthen trust in photographic art?

Digital certificates and blockchain technology offer new ways to document an artwork’s provenance, edition size and ownership history transparently.

What does a personal consultation involve?

I take time to discuss the work, its context and the intended space. We consider the selection together and agree on size, materials and bespoke framing.

Rakotz Bridge – Circle of Reflection

118 WORKS. 20 ROOMS.

Step into
another light.

Walk through the rooms. Move closer to a work.
Take time for another reality.

Begin the journey ↗

BEYOND THE VISIBLE

Perception has a limit.
Light does not.

850 nm
380 nm~780 nm1,000 nm

Near infrared

Illustrative spectrum, not measurement data for individual works. The original colours remain unchanged.

Thoughts on light, colour, travel and the making of my work.

COLLECTORS CIRCLE

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Just art.

Early access to new editions, studio notes and selected invitations. Sent personally, when there is something new to share.

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Photography, practice and encounters +

ANDRÉ WAGNER · PHOTOKAUSTLER

Photography beyond the visible spectrum.

For more than two decades, André Wagner has been using infrared photography, long-term exposure and nocturnal light to explore how time, memory and spiritual experience become visible.

His large-scale works are created on journeys, in sacred places, in landscapes and urban spaces, have been shown in museums and galleries, are in public and private collections, and are published as strictly limited, signed editions.

Press and Interviews Press and Interviews Discovering works Discovering works Show in full screen mode Photo artist André Wagner in front of his large-format red infrared photography as an art-on-construction installation in a stairwell in Zurich. Show in full screen mode

“Magic Forest”, Zurich · Art at the Building for Mobimo AG

Exhibitions at the Kunstmuseum Moritzburg Halle and the Albertinum Dresden · Member of the German Society for Photography DGPh · Kunst am Bau für Mobimo in Zurich

I believe that our perception is only at the beginning.

  • Independent series of works

    Over two decades of continuous artistic work.

  • In museums and collections

    Represented in public institutions and international private collections.

  • Strictly limited editions

    Hand-signed, certified and available in small editions.

Selected series of works

Three ways to see light.

Infrared, night and long-term exposure form different color spaces of my work.

  • Waves of golden light traces over dark water under a blue night sky.

    Romance of Elements

    Fire, water, wind and time meet in a choreography of light. Through long-term exposure, the landscape becomes a resonant space of elemental movement and luminous traces.

  • Zwei in Tücher gehüllte Personen im gedämpften Licht vor dunklem Hintergrund.

    Reflections of India

    A rapprochement with India has been established over many years: light, colour, everyday spiritual life and human encounters combine to form images between immediate experience and memory.

  • Low sun shines through a tree by the water; a bright ring of light overlays the scene.

    The infrared journey

    Color beyond the usual spectrum. Infrared transforms landscapes into interspaces where perception, memory and a possible future of vision interlock.

ALL WORKSERIES

Topics and perspectives

  • What does a camera see that the human eye cannot see?

    Infrared photography doesn't just make the invisible visible. It questions whether our usual perception actually shows reality -- or just a small slice of it.

  • How can time be photographed?

    Long-term exposure does not stop time, but condenses it, and movement, light and transience leave traces hidden from the individual moment.

  • What changes when photography is created in sacred places?

    For many years, André Wagner has worked in India and in spiritually influenced places. His photographs do not document any religion. They examine how experience, memory and atmosphere shape an image.

  • When does a work of art become part of architecture?

    In art-in-construction projects, motif, format and material are created in dialogue with space. Photography is not added afterwards, but rather changes perception, light and movement within architecture.

  • Can Blockchain Boost Trust in Photographic Art?

    Digital certificates and blockchain technology open up new possibilities for documenting the origin, limitation and ownership history of a work of art in a comprehensible way.

  • What is it like to work with you?

    Collaboratively, honestly and directly, we're here to guide the process, to bring in ideas and to move things forward.

Artistic attitude

Color is not a surface.
It is a force.

I'm interested in light and color as their own language, and the night and the infrared spectrum have their own balance and their own tension.

My photographs invite you to leave the familiar gaze and feel the world more consciously.

ARTIFICIAL SERVICES Photo artist André Wagner working with camera and tripod during an infrared shot in a forest landscape.

For more than two decades, my work has been created on journeys, in landscapes and in places of transition.

André Wagner

Some series of works accompany me for many years, not because I want to document a place, but because its meaning only changes with time.

↓ BIOGRAPHY CV BUILDING

Works in museums and collections

  • Warm interior with round windows and framed photograph of a tree on the wall.

    The Weight of Light

    The Infrared Journey – Somewhere in Between
    Croatia · 2023
    Illustrative room view · size and presentation discussed personally

  • Light-flooded entrance hall with framed infrared photography in strong red and turquoise hues.

    The Museum of the Future

    The Infrared Journey – Somewhere in Between
    Dubai · 2023
    Illustrative room view · size and presentation discussed personally

  • Office with desk and framed infrared photography in red and turquoise hues.

    Rakotz Bridge – Circle of Reflection

    The Infrared Journey – Somewhere in Between
    Germany · 2025
    Illustrative room view · size and presentation discussed personally

  • Living room with framed water photography and birds over a gray sofa.

    Magma ducks

    The Infrared Journey – Somewhere in Between
    Switzerland · 2023
    108 × 162 cm
    Edition 5+2 AP

When photography becomes part of architecture.

For the Zurich project “Magic Forest”, photography was not subsequently used as decoration. Format, materiality and spatial effect were developed in dialogue with architecture, light and movement.

The work does not change the place by a loud staging, but by color. The red forest creates tension to the visible concrete architecture and opens up a second space of perception within the building.

For site-specific projects, I develop motif, format and material in dialogue with architecture, light and movement.

Art of Building

SEE PROJECT SEE PROJECT ART ON BAU ART ON BAU

Journal of your own view

Thoughts about light, color, travel and the creation of my work.

In the journal, I write about the origins of my work, about travel and places that have changed my view, and it's a space for thought about light, color, responsibility and the value of images in our time.

Journal of one’s own view – André Wagner Places that change us Places that change us

Why do some places affect us more than others?
In this article, photographer André Wagner reflects on travel, perception and the surprising idea of astrocartography – a perspective that opens up new questions about why certain landscapes can change our creativity and our view of the world.

Find out more about it A photographer’s thoughts on attitude, responsibility and the power of images A photographer’s thoughts on attitude, responsibility and the power of images

Children don’t learn from rules – they learn from what they see.

Photo artist André Wagner on paternity, attitude and the power of images.

Find out more about it Why are photos worth millions? What matters is trust, scarcity and the desire not only to see a picture, but to own it. Why are photos worth millions? What matters is trust, scarcity and the desire not only to see a picture, but to own it.

From historical auctions to the NFT revolution – an in-depth analysis of the photographic art market and its price development.

Find out more about it → To the Journal

Collectors' Circle

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No spam. Just art.

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